Who Will Tell Our Stories?
In 2011, Leah Moss, a recent graduate of Michigan State University, bucked the grads-leaving-Michigan trend and started her own print magazine in Detroit and called it “Jack Detroit.”
The purpose of the pub was to focus on men’s issues and build stronger community ties through its editorial content. And, right away, the mag made an impact.
Interviews with local celebrities like Detroit Red Wings goalie, Jimmy Howard, and Phil & Ben Bator, brothers who are a part of that fabulously addicting site that gives us all the insight into the human psyche that we need (Texts From Last Night), gave the publication the immediate legitimacy that a magazine needs to find its footing, especially in today’s media climate, where grabbing attention spans can be just as crucial as securing ad dollars.
As a practicing PR professional who works in Detroit, I viewed this as a new and legitimate publication to pitch. And as we all know, there can never be too many outlets, especially when more and more are either disappearing, or ditching print.
And if we could get our stories in an outlet that wanted to be a Detroit version of Esquire, that would certainly not be a bad thing.
Unfortunately, four months after issuing their first issue, the Kickstarter-backed project folded, becoming another bullet on the long list of of failed Detroit-based ventures.
But this isn’t the story of Jack Detroit.
This is the story of the media environment, in general. Jack Detroit is just a pinpoint; an example of how hard it is to deliver great content and make money. It would seem that you can’t have one with the other, especially when other publications are beginning to put their focus on “easy, cookie-cutter copy.”
[Editor's note: If this is where our journalism is headed, just shoot me now.]
As a PR professional, we have to ask ourselves: Who will tell our stories?
We depend on the media to be that vehicle; we depend on our abilities to share compelling information with journalists that, in turn, drives them to write.
But if the general public is moving away from in-depth pieces, do we really want sites that are just in it for the eyeballs to write about us?
It’s a tricky question.
On one hand, of course we want that ink. The more people who see us, the better.
But on the other hand, quick, list-y copy doesn’t give our story the spotlight (we believe) it deserves.
As a fan of good journalism and witty writing, I want the magazines like Jack Detroit to thrive, selfishly, because I want to read long reads and have more magazines to pitch.
But I’m just not sure that’s still a possibility.




